Age, Biography and Wiki
Darren Copeland was born on 18 June, 1968 in Canada. Discover Darren Copeland’s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 52 years old?
|Age||52 years old|
|Born||18 June 1968|
We recommend you to check the complete list of Famous People born on 18 June.
He is a member of famous with the age 52 years old group.
Darren Copeland Height, Weight & Measurements
At 52 years old, Darren Copeland height not available right now. We will update Darren Copeland’s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
|Body Measurements||Not Available|
|Eye Color||Not Available|
|Hair Color||Not Available|
Dating & Relationship status
He is currently single. He is not dating anyone. We don’t have much information about He’s past relationship and any previous engaged. According to our Database, He has no children.
Darren Copeland Net Worth
He net worth has been growing significantly in 2018-19. So, how much is Darren Copeland worth at the age of 52 years old? Darren Copeland’s income source is mostly from being a successful . He is from Canada. We have estimated Darren Copeland’s net worth, money, salary, income, and assets.
|Net Worth in 2020||$1 Million – $5 Million|
|Salary in 2019||Under Review|
|Net Worth in 2019||Pending|
|Salary in 2019||Under Review|
|Source of Income|
Darren Copeland Social Network
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|Wikipedia||Darren Copeland Wikipedia|
Timeline of Darren Copeland
In 1996-97, Darren undertook his postgraduate studies at University of Birmingham (UK) and completed his soundscape documentary Life Unseen in which he investigated how blind people listen and function in a visual-centered society. Following this intensive study at Birmingham, he composed The Toronto Sound Mosaic, the soundtrack for Samuel Beckett’s (1906–89) play That Time (1975) (produced by Threshold Theater), and his text-sound composition Lapse in Perception (produced for CBC Radio program Out Front). Through the late-nineties to 2002, Darren collaborated heavily in the theater and dance community in Toronto making soundtracks that integrated sound in a compelling fashion and this process also brought insight into the associative qualities of environmental sounds.
After high school Darren studied theater sound design at Niagara College and parallel to this began making pieces using only environmental sounds. He then moved to Vancouver from 1989 to ’95 to study electroacoustic composition at Simon Fraser University and was introduced to the research of the World Soundscape Project through his studies with Barry Truax which intensified his focus on soundscape composition. The compositions Faith-Annihia and Always Becoming Somebody Else included on the disc Perdu et retrouvé and the works included on his previous empreintes DIGITALes release Rendu visible are an outcome of this intensive investigation of soundscape recordings and electroacoustic composition.
His entry into music and sound was unusual. In the 1980s as a teenager he discovered analog synthesizers almost by accident. And with no previous formal musical training or even interest in music, he started studying analog synthesizers and early digital samplers through private studies with Pier Rubesa in Toronto. This led to the creation of his own compositions and collaborations with musician Ed Troscianczyk and poet/visual artist John Marriott and others in the experimental music scene in Toronto. With these artists, Darren self-published a number of cassette compilations of the work produced at this time, including Living it Out – in the Dear Air – Space, The Three Faces, Mahwje’s Outlook, An Introduction in Frost, and Dreams of Darkness.
Darren Copeland is an electroacoustic music composer born June 18, 1968 in Bramalea, Ontario, Canada, and currently living in Brampton, Ontario, Canada.
Born in Brampton, Ontario, in 1968, Darren Copeland has been active as an electroacoustic composer and sound designer since 1985 producing works for concert, radio, theater, dance, and site-specific installation.
He felt that there were two solutions that would help him to better understand the visual bias of the listener: one was to investigate the nature of listening and perception more; the other solution was to combine sounds with texts and stories in order to present sounds inside a specific social or psychological context that provided more of a focus to the wide array of associations latent in the listening imagination. And so, in the mid-nineties, he branched out into other forms and made pieces that moved into the realm of theater, radio documentary, radio drama, and sound-text composition. He created an adaptation of August Strindberg’s (1849–1912) play A Dream Play (1901), which became the first radio drama at CBC conceived for broadcast in Surround 5.1.