Age, Biography and Wiki
David Yates was born on 8 October, 1963 in St Helens, United Kingdom, is a Filmmaker. Discover David Yates’s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 57 years old?
|Age||57 years old|
|Born||8 October 1963|
|Birthplace||St Helens, United Kingdom|
We recommend you to check the complete list of Famous People born on 8 October.
He is a member of famous Filmmaker with the age 57 years old group.
David Yates Height, Weight & Measurements
At 57 years old, David Yates height not available right now. We will update David Yates’s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
|Body Measurements||Not Available|
|Eye Color||Not Available|
|Hair Color||Not Available|
Who Is David Yates’s Wife?
His wife is Yvonne Walcott
David Yates Net Worth
He net worth has been growing significantly in 2018-19. So, how much is David Yates worth at the age of 57 years old? David Yates’s income source is mostly from being a successful Filmmaker. He is from United Kingdom. We have estimated David Yates’s net worth, money, salary, income, and assets.
|Net Worth in 2020||$1 Million – $5 Million|
|Salary in 2019||Under Review|
|Net Worth in 2019||Pending|
|Salary in 2019||Under Review|
|Source of Income||Filmmaker|
David Yates Social Network
|David Yates Facebook|
|Wikipedia||David Yates Wikipedia|
Timeline of David Yates
Yates is best known for directing the final four films in the Harry Potter series. His work on the series brought him critical and commercial success along with accolades, such as the British Academy Britannia Award for Excellence in Directing. Yates’s subsequent projects include The Legend of Tarzan (2016), as well as Fantastic Beasts and Where to Find Them (2016) and its sequel Fantastic Beasts: The Crimes of Grindelwald (2018).
Yates directed Fantastic Beasts and Where to Find Them, a 2016 film which is the first in a series of five instalments based on J. K. Rowling’s book, set in the world of her Harry Potter novels. David Heyman and Harry Potter screenwriter Steve Kloves joined Yates and J. K. Rowling in developing the script. The film was released in November 2016, it received generally positive reviews and was a commercial success having grossed $814 million , The film stars Eddie Redmayne, Katherine Waterston, Dan Fogler, Alison Sudol, Ezra Miller, Colin Farrell, and Johnny Depp. Yates directed the 2018 sequel, Fantastic Beasts: The Crimes of Grindelwald which received mixed critical reception but emerged a box office success having grossed $654 million. In an interview with The Hollywood Reporter, he stated he was open to directing all five planned films in the Fantastic Beasts series.
Yates began to film Deathly Hallows – Part 1 and Deathly Hallows – Part 2 back-to-back in early 2009 and finished reshoots in late 2010. He stated that he had shot the two parts of the final adaptation differently, with Part 1 being a “road movie” and “quite real”, “almost like a vérité documentary”, while Part 2 is “more operatic, colourful and fantasy-oriented”, a “big opera with huge battles.” Yates reshot the final scene of the Harry Potter series at Leavesden Studios after the original version, filmed at London King’s Cross railway station, did not meet his expectations. In the film, the scene takes place at the magical Platform 9¾.
In 2013, he returned to television by signing on to direct the television pilot of Tyrant, an American drama production set against the US–Middle East conflict. The following year, Yates began shooting The Legend of Tarzan, starring Alexander Skarsgård, Samuel L. Jackson, Margot Robbie, Djimon Hounsou, Jim Broadbent, and Christoph Waltz. The film, released in 2016, opened to mixed reviews and a worldwide total of $356.7 million.
By 2012, Yates was working on a few Warner Bros. projects, including a Tarzan feature film and an Al Capone biopic called Cicero. He also controversially said that he was working with BBC Worldwide on plans to develop a Doctor Who film, although this was denied by the showrunner, Steven Moffat, in July 2012. Because of production delays, Yates began to explore other projects including television work.
Part 2 was screened in July 2011 and became an instant record-breaking success with critical acclaim. The Daily Telegraph described Part 2 as “monumental cinema awash with gorgeous tones” and Total Film wrote that Yates combines “spectacle and emotion into a thrilling final chapter.” Author J. K. Rowling remarked that “everyone who watches Deathly Hallows – Part 2 is going to see that he’s steered us home magnificently. It’s incredible.” Part 2 is the only Harry Potter film to pass the $1 billion mark during its original theatrical run; it became the highest-grossing film in the series and the highest-grossing film of 2011, making Yates the director of the highest-grossing non-James Cameron film of all time in August 2011. Amongst other accolades, Yates won his second Empire Award for Best Director and joined the principal creative team of Harry Potter in receiving the 2012 ADG Award for Outstanding Contribution to Cinematic Imagery for their work on Deathly Hallows – Part 2 and the series in general.
Yates attended the 64th British Academy Film Awards in February 2011, where he was joined by J. K. Rowling, David Heyman, Mike Newell, Alfonso Cuarón, David Barron, Rupert Grint, and Emma Watson in collecting the Michael Balcon Award for Outstanding British Contribution to Cinema on behalf of the Harry Potter films. Daniel Radcliffe, who portrayed the films’ titular character, commented on working with Yates, saying that he “added his own sense of grit and realism [to the series] that perhaps wasn’t there so much before. I think we all had a fantastic time working with David. I know we did.”
Part 1 was released worldwide in November 2010 to commercial success along with generally positive reviews, some of which reflected on Yates’s directing style. The Dallas Morning News affirmed that “David Yates’ fluid, fast-paced direction sends up the crackling tension of a thriller” and The New York Times analysed Yates’s approach to J. K. Rowling’s character development by saying that he has “demonstrated a thorough, uncondescending sympathy for her characters, in particular the central trio of Ron Weasley, Hermione Granger and Harry Potter himself.” The film was praised for its “dark” atmosphere and its loyalty to the source material, but it was criticised for its slow middle act, the handling of exposition, and the somewhat disjointed pacing.
Half-Blood Prince was released in 2009 and became the only film in the series to earn an Academy Award nomination for Best Cinematography. Yates worked alongside French cinematographer Bruno Delbonnel on, what Yates called, extensively colour grading the “incredibly rich” picture by making it look “very European” and drawing influences from the Dutch painter Rembrandt. The film garnered a mix of accolades and was acclaimed for its stylised character-driven approach, but some fans complained about the script’s deviation from the novel and the film’s slight romantic comedy nature. In response to this criticism, renowned BAFTA member and film critic Mark Kermode praised Yates’s direction and ranked the film “second best” in the series, behind Prisoner of Azkaban.
In 2007, Order of the Phoenix opened to positive reviews and commercial success. Yates won the title of Best Director at the Empire Awards and collected the People’s Choice Award from the European Film Academy. However, the film was criticised by fans of the series for having the shortest running time out of the five released instalments; Yates said that the original director’s cut was “probably over three hours”, resulting in much footage being cut, condensed and edited to fit within the studio’s preferred time frame.
During the period of working on plans for Brideshead Revisited, Yates was told by his agent that he had made the director shortlist for the fifth film in the Harry Potter series. He was then confirmed to direct Harry Potter and the Order of the Phoenix by Warner Bros. Pictures, with production scheduled to begin in early 2006. When asked how Yates got the job, producer David Heyman (“a big fan” of Yates’s television work) said that “actors in David’s television projects give their best performance, often of their career. It’s important to keep pushing the actors, particularly the young ones on each Potter film. This is a political film, not with a capital P, but it’s about teen rebellion and the abuse of power. David has made films in the U.K. about politics without being heavy handed.”
Yates then directed Richard Curtis’ script to The Girl in the Café, a television film starring Bill Nighy and Kelly Macdonald. In June 2005, the film was aired on the BBC in Britain and was also broadcast in the United States on Home Box Office. The Girl in the Café achieved three wins at the Emmy Awards, including the Primetime Emmy Award for Outstanding Made for Television Movie, and gained a total of four nominations including Outstanding Directing for Yates.
In 2004, Yates’s two-part drama Sex Traffic was broadcast on Channel 4. It won eight BAFTA Awards including Best Editing for Mark Day, who regularly worked with Yates on many of his television projects and short films. Day commented on his collaboration with Yates saying that “we are very good friends because we have spent so much time together”. He also said, “David shoots in a similar style from piece to piece, although this wasn’t quite as frantic as State of Play.” Yates was nominated for another Directors Guild of Great Britain Award for his direction of Sex Traffic and won his second BAFTA for Best Drama Serial at the British Academy Television Awards. Being a British-Canadian production, Sex Traffic gained four wins at Canada’s annual television award ceremony, the Gemini Awards, including Best Dramatic Mini-Series. Spanning across two parts, the three-hour-long drama reveals how the trafficking of young women into slavery is a big business which operates throughout Europe; both parts were acclaimed for their “shocking” portrayal of such a sensitive topic.
Also in 2004, Yates was involved in plans for a film adaptation of Evelyn Waugh’s novel Brideshead Revisited for Warner Independent Pictures. He was set to work with Paul Bettany, Jude Law and Jennifer Connelly on the project, but pulled out in the later stages due to constant budget issues affecting the film’s production.
Early in his career, Yates directed various short films and became a television director. His credits include the six-part political thriller State of Play (2003), for which he won the Directors Guild of Great Britain Award for Outstanding Directorial Achievement, the adult two-part documentary drama Sex Traffic (2004) and the Emmy Award-winning television film The Girl in the Café (2005).
The 2003 six-part thriller State of Play was Yates’s next achievement. Yates collected the TV Spielfilm Award at the Cologne Conference in Germany and won the Directors Guild of Great Britain Award for Outstanding Directorial Achievement. The serial was recognised by various award ceremonies, receiving the Peabody Award for Broadcasting Excellence and being presented with two British Academy Television Craft Awards. The quality of the serial sparked Hollywood film bosses to consider adapting it into a film, with producer Andrew Hauptman declaring that “it’s a blistering political thriller and we want to make an equally blistering movie.” State of Play is regarded by critics from The Guardian and The Times as one of the best British television dramas of the 2000s.
Yates returned to television in 2000 to direct the episodes of Greed, Envy and Lust for the BBC miniseries The Sins, starring Pete Postlethwaite, as well as The Way We Live Now, the four-part television adaptation of the novel of the same name by Anthony Trollope. Yates shared the British Academy Television Award for Best Drama Serial with screenwriter Andrew Davies and producer Nigel Stafford-Clark at the 2002 BAFTA Awards.
From 1994 to 1995, Yates directed several episodes of the ITV police procedural The Bill before directing and producing three episodes of the television documentary Tale of Three Seaside Towns alongside producer Alistair Clarke. The programme followed media personalities Russell Grant, Honor Blackman and Pam Ayres visiting and exploring the South Coast towns of Brighton, Eastbourne and Weymouth. Yates directed his fifth short film Punch before making his feature film debut in 1998 with the release of the independent historical-drama film The Tichborne Claimant. The film, which was shown at the Edinburgh International Film Festival, was written by Joe Fisher and based on the true events of the Tichborne Case. It starred Stephen Fry and Robert Hardy and was shot on location in Merseyside and on the Isle of Man.
In 1988, Yates made his first film When I Was a Girl in Swindon. The film entered the festival circuit where it was named Best Short Film at the San Francisco International Film Festival. It contributed towards Yates’s acceptance into the National Film and Television School in 1989 and led to the BBC hiring him to direct Oranges and Lemons, a short drama film in 1991. Before completing film school, he began to direct, produce and write the screenplay to the dramatic short The Weaver’s Wife. He also made his fourth short film, Good Looks, which was presented at the Chicago International Film Festival. After graduating in 1992, Yates directed an episode of the film studies programme Moving Pictures.
David Yates (born (1963-10-08 ) 8 October 1963) is an English filmmaker who has directed films, short films, and television productions.
David Yates was born in 1963 in Lancashire, England. His parents died when he was young. Raised in the village of Rainhill, Yates was inspired to pursue a career in filmmaking after watching Steven Spielberg’s 1975 movie Jaws. Yates’s mother bought him a Super 8mm camera. He used this to shoot various films in which his friends and family featured. One such film, The Ghost Ship, was shot on board the vessel where his uncle worked as a cook. He attended Grange Park High School, St Helens College and then the University of Essex. Yates said that he “used to skive off college all the time” and never expected to join university before being surprised by his A-Level exam results. While at the University of Essex, Yates formed the Film and Video Production Society. He graduated with a BA in Government in 1987.
One year later, Yates attended the 56th BAFTA Awards with a British Academy Film Award nomination for Best Short Film for the fourteen-minute production, Rank, which expressed the social elements of racism, friendship and adolescence through the story of a street gang that cross Glasgow to witness the arrival of a group of Somali refugees. Yates said that even though The Way We Live Now was “a very big production” and “enormous fun to do”, Rank was an opportunity to “shake all that off” and “get back to [his] roots”. Of the casting, Yates said that he “wanted to use non-actors to tell the story, to create a reality … the kids we cast in Glasgow had never done a film before.” The film was noted for its gritty style and cinematography, with a review from Eye For Film stating that “such intelligent use of camera and cast lifts Yates out of the pool of promising young directors into the front line of genuine hopefuls. This work demands respect.”