Age, Biography and Wiki
Gary Simmons was born on 14 April, 1964 in New York, New York, United States, is an American painter. Discover Gary Simmons’s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 56 years old?
|Popular As||Gary Simmons|
|Age||56 years old|
|Born||14 April 1964|
|Birthplace||New York, New York, United States|
We recommend you to check the complete list of Famous People born on 14 April.
He is a member of famous Painter with the age 56 years old group.
Gary Simmons Height, Weight & Measurements
At 56 years old, Gary Simmons height not available right now. We will update Gary Simmons’s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
|Body Measurements||Not Available|
|Eye Color||Not Available|
|Hair Color||Not Available|
Dating & Relationship status
He is currently single. He is not dating anyone. We don’t have much information about He’s past relationship and any previous engaged. According to our Database, He has no children.
Gary Simmons Net Worth
He net worth has been growing significantly in 2018-19. So, how much is Gary Simmons worth at the age of 56 years old? Gary Simmons’s income source is mostly from being a successful Painter. He is from American. We have estimated Gary Simmons’s net worth, money, salary, income, and assets.
|Net Worth in 2020||$1 Million – $5 Million|
|Salary in 2019||Under Review|
|Net Worth in 2019||Pending|
|Salary in 2019||Under Review|
|Source of Income||Painter|
Gary Simmons Social Network
|Wikipedia||Gary Simmons Wikipedia|
Timeline of Gary Simmons
Considering himself primarily a sculptor, Simmons early three-dimensional work incorporated powerfully suggestive symbols of oppression including Ku Klux Klan signs, hoods and nooses. One work, entitled Duck, Duck Noose (1992) has chairs in a circle with KKK hoods on each one. In the center of the chairs, a noose hangs from the ceiling. In Klan Gate (1992), two brick pillars surround a large cast iron gate. Atop each pillar stands a stone carved Klan member. In a later work, Big Still (2001), Simmons addresses the state of the poor whites in Appalachia and the South. He recreated a prohibition era moonshine rig that was used by poor rural Appalachian whites. He’s commenting on the concept of “white trash,” and that their disenfranchised life was similar to the urban black communities. However the sculpture is large and intimidating, representing the virulent racism of the time.
Simmons’s most well-known body of work is his Erasures series. He started this in the 1990s and continues to do wall paintings in a very similar style. Chalkboards make an ideal medium because it alludes to teaching and learning. He’s repurposed the place where history is taught and uses erasure to redraw the lines of power. He recreates cartoons that depict black caricatures, some clear and some erased into a dreamy blur. These caricatures refer to when the black stereotype in media was a slap-happy, carefree, musical entertainer. The erasing attempts make the images ethereal and almost ghost like. The erasing is a form of mark making in itself. There’s a sweeping movement to it that contrasts with the tight lines of the unmarked cartoon. He’s bringing up America’s dark past to deface it, but he still wants it to be recognized. He has many exhibitions that feature this style. One of his large-scale wall drawings was most recently shown at Metro Pictures Gallery in Midnight Matinee, an exhibition of paintings and drawings which, like the installation Split Personality, depict semi-erased black-on-black drawings of settings from 1970s horror films.
Simmons received his BFA from the School of Visual Arts in 1988. He received his MFA from CalArts in 1990 and received both the National Endowment for the Arts Interarts Grant and the Penny McCall Foundation Grant shortly after. Shortly after his graduate studies, Simmons found a studio back home at a former vocational school in Manhattan, New York. His space was empty but for several old-fashioned, wooden, rolling classroom chalkboards, which he began using as canvases in a series of early works about mis-education and conceptions of racial and class identity. Interested in the medium’s ambiguous and impermanent nature, he worked with chalk on boards or on walls painted with chalkboard paint almost exclusively in the 1990s. In these works, he often borrowed imagery from antique cartoons that depicted black caricatures. In a wall drawing called Wall of Eyes, commissioned for the 1993 Whitney Biennial, the black surface of board is peppered with bodiless cartoon eyes of different sizes.
Gary Simmons (born April 14, 1964) is an American artist from New York City. Using icons and stereotypes of American popular culture, he creates works that address personal and collective experiences of race and class. He is best known for his “erasure drawings,” in which he draws in white chalk on slate-painted panels or walls, then smudges them with his hands – a technique that renders their imagery ghostly.