Kirtana Kumar

Age, Biography and Wiki

Kirtana Kumar was born on 8 March, 1966 in Karnataka, India, is a Theatre Artist, Theatre Trainer and Film Maker. Discover Kirtana Kumar’s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 54 years old?

Popular AsN/A
OccupationTheatre Artist, Theatre Trainer and Film Maker
Age54 years old
Zodiac SignPisces
Born8 March 1966
Birthday8 March
BirthplaceKarnataka, India
NationalityIndian

We recommend you to check the complete list of Famous People born on 8 March.
She is a member of famous with the age 54 years old group.

Kirtana Kumar Height, Weight & Measurements

At 54 years old, Kirtana Kumar height not available right now. We will update Kirtana Kumar’s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
HeightNot Available
WeightNot Available
Body MeasurementsNot Available
Eye ColorNot Available
Hair ColorNot Available

Who Is Kirtana Kumar’s Husband?

Her husband is Konark Reddy

Family
ParentsNot Available
HusbandKonark Reddy
SiblingNot Available
ChildrenNot Available

Kirtana Kumar Net Worth

She net worth has been growing significantly in 2018-19. So, how much is Kirtana Kumar worth at the age of 54 years old? Kirtana Kumar’s income source is mostly from being a successful . She is from Indian. We have estimated Kirtana Kumar’s net worth, money, salary, income, and assets.

Net Worth in 2020$1 Million – $5 Million
Salary in 2019Under Review
Net Worth in 2019Pending
Salary in 2019Under Review
HouseNot Available
CarsNot Available
Source of Income

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Timeline of Kirtana Kumar

2019

  Over the years her work has included lead roles in plays such as “Agnes of God”, “Gati & Bhagawadajukam” at Questor’s Theatre, London, the world premiere of Bill C. Davis’ “Spine” at the Cast Theatre, Los Angeles, “Shakuntala” at Trestle Theatre, St. Alban’s and a stage adaptation of Sri Aurobindo’s Savitri called “In the Hour of God”. Her production of Genet’s classic “The Maids” played at several festivals including the Ranga Shankara Festival and Bahuroopi Festival at Rangayana. Her solo work includes Dario Fo “Medea” & “Orgasmo Adulto” and “Unruly Women – Or Shakespeare’s Chicks”, a lec-dem devised by her based on women characters in the plays of Shakespeare. She received a New Performance Grant from India Foundation for the Arts for her path-breaking promenade play “The Wedding Party” which received much critical acclaim. Subsequently, she directed Eugène Ionesco’s “The Bald Soprano” and most recently, directed and performed in Dario Fo’s “Orgasmo Adulto Escapes from the Zoo” for Jagriti Theatre. She is currently directing Steven Berkoff’s “The Secret Love Life of Ophelia” for the Bangalore stage and is reviving “The Wedding Party” as both a promenade and proscenium performance.

2011

For the past 4 years she has been engaged in an Indo-German collaboration between Ranga Shankara and Schnawwl, Mannheim. In 2011, she choreographed the Schnawwl production of the Ramayana called Das Lied von Rama. She is the dramaturg and assistant director of the internationally acclaimed “Boy with a Suitcase” which most recently played at Augen Blick Mal in Berlin 2013. After Berlin, Kirtana conducted a workshop on Illusion and Reality in Theatre for the actor’s ensemble at Munster Stadt-Theatre.

2003

She is the founder-organizer of Bhoomi JathreFireflies Festival of Sacred Music , a non-sponsored art & music festival in Bangalore, and has been curator of the jathre in 2003, ’04 & ’05. She is currently working on a proposal for an international theatre experiment called Beyond the Proscenium. She hopes to collaborate with Sophia Ste-pf for this.

1999

In 1999, she was a facilitator for the Royal National Theatre Youth Project – Project Nadia. In September 2001 she was commissioned by Common Ground Sign Dance Theatre Company, Liverpool to write and direct a new piece for them. This resulted in a work titled Karma Café. The play premiered in Manchester. She facilitated the Common Ground performance and workshop tour of India and made an experimental film called “Once Upon a Warm September” on the Common Ground tour of South Canara. In 2004 she directed Picasso’s “Four Little Girls” as an experiment with words and paint.