Age, Biography and Wiki
Kirtana Kumar was born on 8 March, 1966 in Karnataka, India, is a Theatre Artist, Theatre Trainer and Film Maker. Discover Kirtana Kumar’s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 54 years old?
|Occupation||Theatre Artist, Theatre Trainer and Film Maker|
|Age||54 years old|
|Born||8 March 1966|
We recommend you to check the complete list of Famous People born on 8 March.
She is a member of famous with the age 54 years old group.
Kirtana Kumar Height, Weight & Measurements
At 54 years old, Kirtana Kumar height not available right now. We will update Kirtana Kumar’s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
|Body Measurements||Not Available|
|Eye Color||Not Available|
|Hair Color||Not Available|
Who Is Kirtana Kumar’s Husband?
Her husband is Konark Reddy
Kirtana Kumar Net Worth
She net worth has been growing significantly in 2018-19. So, how much is Kirtana Kumar worth at the age of 54 years old? Kirtana Kumar’s income source is mostly from being a successful . She is from Indian. We have estimated Kirtana Kumar’s net worth, money, salary, income, and assets.
|Net Worth in 2020||$1 Million – $5 Million|
|Salary in 2019||Under Review|
|Net Worth in 2019||Pending|
|Salary in 2019||Under Review|
|Source of Income|
Kirtana Kumar Social Network
|Kirtana Kumar Facebook|
|Wikipedia||Kirtana Kumar Wikipedia|
Timeline of Kirtana Kumar
Over the years her work has included lead roles in plays such as “Agnes of God”, “Gati & Bhagawadajukam” at Questor’s Theatre, London, the world premiere of Bill C. Davis’ “Spine” at the Cast Theatre, Los Angeles, “Shakuntala” at Trestle Theatre, St. Alban’s and a stage adaptation of Sri Aurobindo’s Savitri called “In the Hour of God”. Her production of Genet’s classic “The Maids” played at several festivals including the Ranga Shankara Festival and Bahuroopi Festival at Rangayana. Her solo work includes Dario Fo “Medea” & “Orgasmo Adulto” and “Unruly Women – Or Shakespeare’s Chicks”, a lec-dem devised by her based on women characters in the plays of Shakespeare. She received a New Performance Grant from India Foundation for the Arts for her path-breaking promenade play “The Wedding Party” which received much critical acclaim. Subsequently, she directed Eugène Ionesco’s “The Bald Soprano” and most recently, directed and performed in Dario Fo’s “Orgasmo Adulto Escapes from the Zoo” for Jagriti Theatre. She is currently directing Steven Berkoff’s “The Secret Love Life of Ophelia” for the Bangalore stage and is reviving “The Wedding Party” as both a promenade and proscenium performance.
For the past 4 years she has been engaged in an Indo-German collaboration between Ranga Shankara and Schnawwl, Mannheim. In 2011, she choreographed the Schnawwl production of the Ramayana called Das Lied von Rama. She is the dramaturg and assistant director of the internationally acclaimed “Boy with a Suitcase” which most recently played at Augen Blick Mal in Berlin 2013. After Berlin, Kirtana conducted a workshop on Illusion and Reality in Theatre for the actor’s ensemble at Munster Stadt-Theatre.
She is the founder-organizer of Bhoomi JathreFireflies Festival of Sacred Music , a non-sponsored art & music festival in Bangalore, and has been curator of the jathre in 2003, ’04 & ’05. She is currently working on a proposal for an international theatre experiment called Beyond the Proscenium. She hopes to collaborate with Sophia Ste-pf for this.
In 1999, she was a facilitator for the Royal National Theatre Youth Project – Project Nadia. In September 2001 she was commissioned by Common Ground Sign Dance Theatre Company, Liverpool to write and direct a new piece for them. This resulted in a work titled Karma Café. The play premiered in Manchester. She facilitated the Common Ground performance and workshop tour of India and made an experimental film called “Once Upon a Warm September” on the Common Ground tour of South Canara. In 2004 she directed Picasso’s “Four Little Girls” as an experiment with words and paint.