Age, Biography and Wiki
Tony Morrison was born on 18 February, 1931 in Lorain, Ohio, United States, is an American novelist, professor, Nobel Laureate, and Pulitzer Prize winner. Discover Tony Morrison’s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 88 years old?
|Occupation||novelist, essayist, children’s writer, professor|
|Age||88 years old|
|Born||18 February 1931|
|Birthplace||Lorain, Ohio, United States|
|Date of death||August 5, 2019,|
|Died Place||Montefiore Medical Center Moses Division, New York, United States|
We recommend you to check the complete list of Famous People born on 18 February.
She is a member of famous Novelist with the age 88 years old group.
Tony Morrison Height, Weight & Measurements
At 88 years old, Tony Morrison height not available right now. We will update Tony Morrison’s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
|Body Measurements||Not Available|
|Eye Color||Not Available|
|Hair Color||Not Available|
Dating & Relationship status
She is currently single. She is not dating anyone. We don’t have much information about She’s past relationship and any previous engaged. According to our Database, She has no children.
Tony Morrison Net Worth
She net worth has been growing significantly in 2018-19. So, how much is Tony Morrison worth at the age of 88 years old? Tony Morrison’s income source is mostly from being a successful Novelist. She is from United States. We have estimated Tony Morrison’s net worth, money, salary, income, and assets.
|Net Worth in 2020||$1 Million – $5 Million|
|Salary in 2019||Under Review|
|Net Worth in 2019||Pending|
|Salary in 2019||Under Review|
|Source of Income||Novelist|
Tony Morrison Social Network
|Wikipedia||Tony Morrison Wikipedia|
Timeline of Tony Morrison
Morrison died at Montefiore Medical Center in The Bronx, New York City, on August 5, 2019, from complications of pneumonia. She was 88 years old.
A memorial tribute was held for Morrison on November 21, 2019, at the Cathedral of St. John the Divine in the Morningside Heights neighborhood of Manhattan in New York City. At this gathering she was eulogized by, among others, Oprah Winfrey, Angela Davis, Michael Ondaatje, David Remnick, Fran Lebowitz, and Edwidge Danticat. The jazz saxophonist David Murray performed a musical tribute.
In 2019 legislation was introduced in Morrison’s hometown Lorain, Ohio, to officially recognize February 18, her birthday, as “Toni Morrison Day”.
In 2019, Timothy Greenfield-Sanders’ documentary Toni Morrison: The Pieces I Am premiered at the Sundance Film Festival. People featured in the film include Morrison, Angela Davis, Oprah Winfrey, Sonia Sanchez, and Walter Mosley, among others.
On November 17, 2017, Princeton University dedicated Morrison Hall (a building previously called West College) in her honor.
After the 2016 election of Donald Trump as President of the United States, Morrison wrote an essay, “Mourning for Whiteness,” published in the November 21, 2016 issue of The New Yorker. In it she argues that white Americans are so afraid of losing privileges afforded them by their race that white voters elected Trump, whom she described as being “endorsed by the Ku Klux Klan” in order to keep the idea of white supremacy alive.
In 2016, Oberlin College received a grant to complete a documentary film begun in 2014, The Foreigner’s Home, about Morrison’s intellectual and artistic vision. The film’s executive producer was Jonathan Demme. It was directed by Oberlin College Cinema Studies faculty Geoff Pingree and Rian Brown, and incorporates footage shot by Morrison’s first-born son Harold Ford Morrison, who also consulted on the film.
Morrison’s eleventh novel, God Help the Child, was published in 2015. It follows Bride, an executive in the fashion and beauty industry whose mother tormented her as a child for being dark-skinned – a childhood trauma that has dogged Bride her whole life.
In April 2015, speaking of the deaths of Michael Brown, Eric Garner and Walter Scott — three unarmed black men killed by white police officers — Morrison said: “People keep saying, ‘We need to have a conversation about race.’ This is the conversation. I want to see a cop shoot a white unarmed teenager in the back. And I want to see a white man convicted for raping a black woman. Then when you ask me, ‘Is it over?’, I will say yes.”
Morrison was the subject of a film titled Imagine — Toni Morrison Remembers, directed by Jill Nicholls and shown on BBC One television on July 15, 2015, in which Morrison talked to Alan Yentob about her life and work.
Beloved is the first of three novels about love and African-American history, sometimes called the Beloved Trilogy. Morrison said that they are intended to be read together, explaining, “The conceptual connection is the search for the beloved – the part of the self that is you, and loves you, and is always there for you.” The second novel in the trilogy, Jazz, came out in 1992. Told in language that imitates the rhythms of jazz music, the novel is about a love triangle during the Harlem Renaissance in New York City. That year she also published her first book of literary criticism, Playing in the Dark: Whiteness and the Literary Imagination (1992), an examination of the African-American presence in white American literature.
In 1996, the National Endowment for the Humanities selected her for the Jefferson Lecture, the U.S. federal government’s highest honor for achievement in the humanities. Also that year, she was honored with the National Book Foundation’s Medal of Distinguished Contribution to American Letters. On May 29, 2012, President Barack Obama presented Morrison with the Presidential Medal of Freedom. In 2016, she received the PEN/Saul Bellow Award for Achievement in American Fiction.
She completed Home and dedicated it to her son Slade Morrison. Published in 2012, it is the story of a Korean War veteran in the segregated United States of the 1950s, who tries to save his sister from brutal medical experiments at the hands of a white doctor.
In August 2012, Oberlin College became the home base of the Toni Morrison Society, an international literary society founded in 1983, dedicated to scholarly research of Morrison’s work.
In 2012, she responded to a question about the difference between black and white feminists in the 1970s. “Womanists is what black feminists used to call themselves,” she explained. “They were not the same thing. And also the relationship with men. Historically, black women have always sheltered their men because they were out there, and they were the ones that were most likely to be killed.”
In May 2011, Morrison received an Honorary Doctor of Letters degree from Rutgers University–New Brunswick during the commencement ceremony, where she delivered a speech on the “pursuit of life, liberty, meaningfulness, integrity, and truth.”
Morrison debuted another work in 2011: She worked with opera director Peter Sellars and Malian singer-songwriter Rokia Traoré on a new production, Desdemona, taking a fresh look at William Shakespeare’s tragedy Othello. The trio focused on the relationship between Othello’s wife Desdemona and her African nursemaid, Barbary, who is only briefly referenced in Shakespeare. The play, a mix of words, music and song, premiered in Vienna in 2011.
In May 2010, Morrison appeared at PEN World Voices for a conversation with Marlene van Niekerk and Kwame Anthony Appiah about South African literature, and specifically van Niekerk’s 2004 novel Agaat.
Morrison wrote books for children with her younger son, Slade Morrison, who was a painter and a musician. Slade died of pancreatic cancer on December 22, 2010, aged 45. Morrison’s novel Home (2012) was half-completed when Slade died.
Morrison’s novel A Mercy, released in 2008, is set in the Virginia colonies of 1682. Diane Johnson, in her review in Vanity Fair, called A Mercy “a poetic, visionary, mesmerizing tale that captures, in the cradle of our present problems and strains, the natal curse put on us back then by the Indian tribes, Africans, Dutch, Portuguese, and English competing to get their footing in the New World against a hostile landscape and the essentially tragic nature of human experience.”
Inspired by her curatorship at the Louvre Museum, Morrison returned to Princeton in fall 2008 to lead a small seminar, also entitled “The Foreigner’s Home.”
In the context of the 2008 Democratic Primary campaign, Morrison stated to Time magazine: “People misunderstood that phrase. I was deploring the way in which President Clinton was being treated, vis-à-vis the sex scandal that was surrounding him. I said he was being treated like a black on the street, already guilty, already a perp. I have no idea what his real instincts are, in terms of race.” In the Democratic primary contest for the 2008 presidential race, Morrison endorsed Senator Barack Obama over Senator Hillary Clinton, though expressing admiration and respect for the latter. When he won, Morrison said she felt like an American for the first time. She said, “I felt very powerfully patriotic when I went to the inauguration of Barack Obama. I felt like a kid.”
W. S. Kottiswari writes in Postmodern Feminist Writers (2008) that Morrison exemplifies characteristics of “postmodern feminism” by “altering Euro-American dichotomies by rewriting a history written by mainstream historians” and by her usage of shifting narration in Beloved and Paradise. Kottiswari states: “Instead of western logocentric abstractions, Morrison prefers the powerful vivid language of women of color … She is essentially postmodern since her approach to myth and folklore is re-visionist.”
In 2006, The New York Times Book Review named Beloved the best work of American fiction published in the previous 25 years, as chosen by a selection of prominent writers, literary critics, and editors. In his essay about the choice, “In Search of the Best,” critic A. O. Scott said: “Any other outcome would have been startling, since Morrison’s novel has inserted itself into the American canon more completely than any of its potential rivals. With remarkable speed, ‘Beloved’ has, less than 20 years after its publication, become a staple of the college literary curriculum, which is to say a classic. This triumph is commensurate with its ambition, since it was Morrison’s intention in writing it precisely to expand the range of classic American literature, to enter, as a living black woman, the company of dead white males like Faulkner, Melville, Hawthorne and Twain.”
Morrison continued to explore new art forms when she returned to Margaret Garner’s life story, the basis of her novel Beloved, to write the libretto for a new opera, Margaret Garner. Completed in 2002, with music by Richard Danielpour, the opera was premièred on May 7, 2005, at the Detroit Opera House with Denyce Graves in the title role. Meanwhile, Love, her first novel since Paradise, came out in 2003. In 2004, Morrison put together a children’s book called Remember to mark the 50th anniversary of the Brown v. Board of Education Supreme Court decision in 1954 that declared racially segregated public schools to be unconstitutional.
In June 2005, the University of Oxford awarded Morrison an honorary Doctor of Letters degree. In the fall of that year, Morrison visited the Louvre museum in Paris as the second in its “Grand Invité” program to guest-curate a month-long series of events across the arts on the theme of “The Foreigner’s Home.”
The phrase “our first Black president” was adopted as a positive by Bill Clinton supporters. When the Congressional Black Caucus honored the former president at its dinner in Washington, D.C. on September 29, 2001, for instance, Rep. Eddie Bernice Johnson (D-TX), the chair, told the audience that Clinton “took so many initiatives he made us think for a while we had elected the first black president.”
Also in 1998, the movie adaptation of Beloved was released, directed by Jonathan Demme and co-produced by Oprah Winfrey, who had spent ten years bringing it to the screen. Winfrey also stars as the main character, Sethe, alongside Danny Glover as Sethe’s lover, Paul D, and Thandie Newton as Beloved.
In writing about the 1998 impeachment of Bill Clinton, she claimed that since Whitewater, Bill Clinton was being mistreated in the same way black people often are:
Although her novels typically concentrate on black women, Morrison did not identify her works as feminist. When asked in a 1998 interview, “Why distance oneself from feminism?” she replied: “In order to be as free as I possibly can, in my own imagination, I can’t take positions that are closed. Everything I’ve ever done, in the writing world, has been to expand articulation, rather than to close it, to open doors, sometimes, not even closing the book — leaving the endings open for reinterpretation, revisitation, a little ambiguity.” She went on to state that she thought it “off-putting to some readers, who may feel that I’m involved in writing some kind of feminist tract. I don’t subscribe to patriarchy, and I don’t think it should be substituted with matriarchy. I think it’s a question of equitable access, and opening doors to all sorts of things.”
The third novel of her Beloved trilogy, Paradise, about citizens of an all-black town, came out in 1997. The next year, Morrison was on the cover of Time magazine, making her only the second female writer of fiction and second black writer of fiction to appear on what was perhaps the most significant U.S. magazine cover of the era.
From 1997 to 2003, Morrison was an Andrew D. White Professor-at-Large at Cornell University.
In 1996, the National Endowment for the Humanities selected Morrison for the Jefferson Lecture, the U.S. federal government’s highest honor for “distinguished intellectual achievement in the humanities.” Morrison’s lecture, entitled “The Future of Time: Literature and Diminished Expectations,” began with the aphorism: “Time, it seems, has no future.” She cautioned against the misuse of history to diminish expectations of the future. Morrison was also honored with the 1996 National Book Foundation’s Medal of Distinguished Contribution to American Letters, which is awarded to a writer “who has enriched our literary heritage over a life of service, or a corpus of work.”
In 1996, television talk-show host Oprah Winfrey selected Song of Solomon for her newly launched Book Club, which became a popular feature on her Oprah Winfrey Show. An average of 13 million viewers watched the show’s book club segments. As a result, when Winfrey selected Morrison’s earliest novel The Bluest Eye in 2000, it sold another 800,000 paperback copies. John Young wrote in the African American Review in 2001, that Morrison’s career experienced the boost of “The Oprah Effect, … enabling Morrison to reach a broad, popular audience.”
Before Morrison published the third novel of the trilogy, she was awarded the Nobel Prize in Literature in 1993. Her citation reads that she, “who in novels characterized by visionary force and poetic import, gives life to an essential aspect of American reality.” She was the first black woman of any nationality to win the prize.
Winfrey selected a total of four of Morrison’s novels over six years, giving Morrison’s novels a bigger sales boost than they got from her Nobel Prize win in 1993. The novelist also appeared three times on Winfrey’s show. Winfrey said, “For all those who asked the question ‘Toni Morrison again?’… I say with certainty there would have been no Oprah’s Book Club if this woman had not chosen to share her love of words with the world.” Morrison called the book club a “reading revolution.”
Though based in the Creative Writing Program at Princeton, Morrison did not regularly offer writing workshops to students after the late 1990s, a fact that earned her some criticism. Rather, she conceived and developed the Princeton Atelier, a program that brings together students with writers and performing artists. Together the students and the artists produce works of art that are presented to the public after a semester of collaboration.
From 1989 until her retirement in 2006, Morrison held the Robert F. Goheen Chair in the Humanities at Princeton University. She said she did not think much of modern fiction writers who reference their own lives instead of inventing new material, and she used to tell her creative writing students, “I don’t want to hear about your little life, OK?” Similarly, she chose not to write about her own life in a memoir or autobiography.
Despite overall high acclaim, Beloved failed to win the prestigious National Book Award or the National Book Critics Circle Award. Forty-eight black critics and writers, among them Maya Angelou, protested the omission in a statement that The New York Times published on January 24, 1988. “Despite the international stature of Toni Morrison, she has yet to receive the national recognition that her five major works of fiction entirely deserve,” they wrote. Two months later, Beloved won the Pulitzer Prize for Fiction. It also won an Anisfield-Wolf Book Award.
Morrison was interviewed by Margaret Busby in a 1988 documentary film by Sindamani Bridglal, entitled Identifiable Qualities, shown on Channel 4.
In 1987, Morrison published her most celebrated novel, Beloved. It was inspired by the true story of an enslaved African-American woman, Margaret Garner, whose story Morrison had discovered when compiling The Black Book. Garner had escaped slavery but was pursued by slave hunters. Facing a return to slavery, Garner killed her two-year-old daughter but was captured before she could kill herself. Morrison’s novel imagines the dead baby returning as a ghost, Beloved, to haunt her mother and family.
In 1983, Morrison left publishing to devote more time to writing, while living in a converted boathouse on the Hudson River in Nyack, New York. She taught English at two branches of the State University of New York (SUNY) and at Rutgers University’s New Brunswick campus. In 1984, she was appointed to an Albert Schweitzer chair at the University at Albany, SUNY.
Morrison gave her next novel, Tar Baby (1981), a contemporary setting. In it, a looks-obsessed fashion model, Jadine, falls in love with Son, a penniless drifter who feels at ease with being black.
At its 1979 commencement ceremonies, Barnard College awarded Morrison its highest honor, the Barnard Medal of Distinction.
In 1975, Morrison’s second novel Sula (1973), about a friendship between two black women, was nominated for the National Book Award. Her third novel, Song of Solomon (1977), follows the life of Macon “Milkman” Dead III, from birth to adulthood, as he discovers his heritage through the magic of the Black experience. This novel brought her national acclaim, being a main selection of the Book of the Month Club, the first novel by a black writer to be so chosen since Richard Wright’s Native Son in 1940. Song of Solomon also won the National Book Critics Circle Award.
Among other books Morrison developed and edited is The Black Book (1974), an anthology of photographs, illustrations, essays, and other documents of black life in the United States from the time of slavery to the 1920s. Random House had been uncertain about the project but received good reviews. Alvin Beam reviewed the anthology for the Cleveland Plain Dealer, writing: “Editors, like novelists, have brain children—books they think up and bring to life without putting their own names on the title page. Mrs. Morrison has one of these in the stores now, and magazines and newsletters in the publishing trade are ecstatic, saying it will go like hotcakes.”
In that capacity, Morrison played a vital role in bringing Black literature into the mainstream. One of the first books she worked on was the groundbreaking Contemporary African Literature (1972), a collection that included work by Nigerian writers Wole Soyinka, Chinua Achebe, and South African playwright Athol Fugard. She fostered a new generation of Afro-American writers, including poet and novelist Toni Cade Bambara, radical activist Angela Davis, Black Panther Huey Newton and novelist Gayl Jones, whose writing Morrison discovered. She also brought to publication the 1975 autobiography of the outspoken boxing champion Muhammad Ali, The Greatest: My Own Story. In addition, she published and promoted the work of Henry Dumas, a little-known novelist and poet who in 1968 had been shot to death by a transit officer in the New York City Subway.
The Bluest Eye was published (by Holt, Rinehart and Winston) in 1970, when Morrison was aged 39. It was favorably reviewed in The New York Times by John Leonard, who praised Morrison’s writing style as being “a prose so precise, so faithful to speech and so charged with pain and wonder that the novel becomes poetry … But The Bluest Eye is also history, sociology, folklore, nightmare and music.” The novel did not sell well at first, but the City University of New York put The Bluest Eye on its reading list for its new black-studies department, as did other colleges, which boosted sales. The book also brought Morrison to the attention of the acclaimed editor Robert Gottlieb at Knopf, an imprint of the publisher Random House. Gottlieb later edited most of Morrison’s novels.
After her divorce in 1965, Morrison began working as an editor, for L. W. Singer, a textbook division of publisher Random House, in Syracuse, New York. Two years later, she transferred to Random House in New York City, where she became their first black woman senior editor in the fiction department.
Morrison’s first play, Dreaming Emmett, is about the 1955 murder by white men of black teenager Emmett Till. The play was performed in 1986, at the State University of New York at Albany, where she was teaching at the time. Morrison was also a visiting professor at Bard College from 1986 to 1988.
Born and raised in Lorain, Ohio, Morrison graduated from Howard University in 1953 with a B.A. in English. In 1955, she earned a master’s in American Literature from Cornell University. In 1957 she returned to Howard University, was married, and had two children before divorcing in 1964. In the late 1960s, she became the first black female editor in fiction at Random House in New York City. In the 1970s and 1980s, she developed her own reputation as an author, and her perhaps most celebrated work, Beloved, was made into a 1998 film.
In 1949, she enrolled at Howard University in Washington, D.C., seeking the company of fellow black intellectuals. It was while at Howard that she encountered racially segregated restaurants and buses for the first time. She graduated in 1953 with a B.A. in English and went on to earn a Master of Arts from Cornell University in 1955. Her master’s thesis was titled “Virginia Woolf’s and William Faulkner’s treatment of the alienated.” She taught English, first at Texas Southern University in Houston from 1955–1957, then at Howard University for the next seven years. While teaching at Howard, she met Harold Morrison, a Jamaican architect, whom she married in 1958. She was pregnant with their second son when she and Harold divorced in 1964.
Chloe Anthony Wofford Morrison (born Chloe Ardelia Wofford; February 18, 1931 – August 5, 2019), known as Toni Morrison, was an American novelist, essayist, book editor, and college professor. Her first novel, The Bluest Eye, was published in 1970. The critically acclaimed Song of Solomon (1977) brought her national attention and won the National Book Critics Circle Award. In 1988, Morrison won the Pulitzer Prize for Beloved (1987); she gained worldwide recognition when she was awarded the Nobel Prize in Literature in 1993.
Morrison was a member of the editorial advisory board of The Nation, a magazine started in 1865 by Northern abolitionists.